Press Reviews

  • “with softly grounded bass-range and dignified baritone-lines”
    (Die Zauberflöte; Braunschweiger Zeitung, 25.1.2012)
  • “with melodiously beautiful baritone”
    (Die Zauberflöte; Braunschweiger Zeitung, 17.10.2011)
  • “strong voice and secure top”
    (Der Freischütz; orpheus, 11/12.2010)
  • “with warm, full sound”
    (Zaide; Braunschweiger Zeitung, 7.6.2010)
  • “with virile, darkly timbered baritone”
    (Salvator Rosa; opernwelt, 3/2010)
  • “with supremely flexible baritone”
    (Orlando Paladino; Der Opernfreund, 1.6.2009)
  • “cultivatedly powerful”
    (Lohengrin; online musik magazin, 2007)


“In his role as Papageno, Malte Roesner was so absolutely convincing in his endearingly genuine manner of moving on stage and through his joy of acting and singing, that the spectator truly believed in him.”

(, Oct. 2011)


“Malte Roesner shaped the character of Ethel [...] hot-bloodedly and with verve. His lyrically disposed baritone surged to great form on this evening.”

(Opernglas Mai 2011)


“As Enrico, Malte Roesner was brilliant both vocally and on stage. The role was ideally cast with the baritone, seeing as he was able to present his large vocal range in desired appropriate color through out.”

(BS-live!, 17.4.2010)


“The baritone Malte Roesner, as Masaniello, gave a representationally and vocally paramount performance. He particularly impressively executed the scene, in which his madness breaks out.”

(Der Neue Merker, 6.2.2010)